Real Photo Postcards
From Wikipedia, the free encyclopedia
In 1903 Kodak introduced the No. 3A Folding Pocket Kodak. The camera allowed the general public to take photographs and have them printed on postcard backs. They are usually the same size as standard vintage postcards (3-1/2" x 5-1/2"). Also known by the acronym "RPPC".
According to this site, Kodak "created a service called “real photo postcards,” enabling people to make a postcard from any picture they took" in 1907.
Old House Journal states "Beginning in 1902 Kodak offered a preprinted card back that allowed postcards to be made directly from negatives." [1] Regardless of when the year, this "technology" allowed photographers to travel from town to town and document life in the places they visited. Old House Journal continues: "Local entrepreneurs hired them to record area events and the homes of prominent citizens. These postcards documented important buildings and sites, as well as parades, fires, and floods. Realtors used them to sell new housing by writing descriptions and prices on the back. Real-photo postcards became expressions of pride in home and community, and were also sold as souvenirs in local drug stores and stationery shops." [2]
Real photo postcards may or may not have a white border, or a divided back, or other features of postcards, depending on the paper the photographer used. Many current real photo postcards are reproductions of earlier historic photos. Want to know if it is authentic or a reproduction: look at it under a magnifying glass. If it is authentic "it will show smooth transitions from one tone to another." [3] According to the 2Buds, the way to tell is, while looking under the magnifying glass notice that "Postcards that are NOT real photos are made up of many small dots. If you look at a real photo postcard, the image is solid (no dots)." [4]
Bibliography
Bernhard, Willi: Bernhard Picture Postcard Catalogue:
Germany 1870-1945, 1982
Bogdan, Robert and Todd Weseloh:
Real Photo Postcard Guide: The People’s Photography.
Syracuse, NY: Syracuse University Press, 2006. ISBN:
0-8156-0851-9 288 pages, 367 black-and-white photographs,
appendixes, bibliography, notes, index.
Morgan, Hal & Brown, Andreas: Prairie Fires and Paper
Moons: The American Photographic Postcard: 1900-1920, David
R. Godine Publisher, Boston, 1981 (1st), ill., 192pp
Nicholson, Susan Brown: The Encyclopedia of Antique Postcards,
Wallace-Homestead Book Co., Radnor, PA, (1994) 1st ptg, 1100+
postcards ill in B&W, 277pp, fine, wraps (softcover), Covers
more than 100 categories of postcards from the Golden Age
(1898-1918), including artists from Attwell to Wayne and topics
from Aviation to the Zodiac. Each category includes a brief
history and examples of typical postcards. Includes a price
guide.
Smith, Jack H.: Postcard Companion: The Collector's Reference,
Wallace-Homestead, Radnor, PA, (1989), B&W and color ill.,
374pp. Good source book on all aspects of postcard collecting.
"Dating Post-1920 Real Photo Postcards," by Ernest G. Covington,
in Postcard Collector, July 1986, pages 26-28.
Harvey Tulcensky and Laetitia Wolff: Real Photo Postcards
(Princeton Architectural Press, 2005)
Vaule, Rosamond B.: "As We Were: American Photographic Postcards, 1905-1930," David R. Godine, Publisher, Boston, 2004. 216 pages, 230 duotone photographs, bibliography. Exceptional paper, print, photo reproduction quality. Text addresses social, commercial, and photographic history; real photo makers, subjects, production, and use.
